Post Analog Painting II

Ry David Bradley, “Plato & Chill 1 & 2”, 2017, dye transfer on synthetic suede, 3D glasses, 48 x 62 inches, 122 x 157.5 cm

Ry David Bradley, “Plato & Chill 1 & 2”, 2017, dye transfer on synthetic suede, 3D glasses, 48 x 62 inches, 122 x 157.5 cm

While spending the afternoon in Soho, I decided to pop into the Hole NYC. The gallery is known for contemporary art and shining the light on young emerging artists with thematic group shows. I was able to catch their latest exhibit, Post Analog Painting II, before its closing. The show explored the complex shift in culture from analog to digital media, and its significance to our generation. The pieces shown inspired me to not be afraid to incorporate digital elements to my own paintings, merging the 2 worlds together. 

I would tell you to stop by and check it out, but the exhibit is closed. Instead I urge you to check some of the pieces below and explore even deeper here

Matthew Stone, “In His Own Heart”, 2017, digital print and acrylic on linen, 47 x 35.5 inches, 119.5 x 90 cm

Matthew Stone, “In His Own Heart”, 2017, digital print and acrylic on linen, 47 x 35.5 inches, 119.5 x 90 cm

Mariah Dekkenga, “Untitled”, 2017, oil on linen, 51 x 37 inches, 129.5 x 94 cm

Mariah Dekkenga, “Untitled”, 2017, oil on linen, 51 x 37 inches, 129.5 x 94 cm

Lauren Silva, “Bobber”, 2013, oil and acrylic on canvas, 96 x 144 inches, 244 x 366 cm

Lauren Silva, “Bobber”, 2013, oil and acrylic on canvas, 96 x 144 inches, 244 x 366 cm

Morgan Blair, “ExistentialRoundUP. Gov Top Weekly, Clicks: What Type of Motocross-Themed French Onion Chili Cheese Log Do You Need in Your Life”, 2017, acrylic and sand on canvas over panel, 60 x 60 inches, 152.5 x 152.5 cm

Morgan Blair, “ExistentialRoundUP. Gov Top Weekly, Clicks: What Type of Motocross-Themed French Onion Chili Cheese Log Do You Need in Your Life”, 2017, acrylic and sand on canvas over panel, 60 x 60 inches, 152.5 x 152.5 cm

Anne Vieux, “//Primary Curve (Double Vision Series)”, 2017, acrylic on sublimation dyed faux suede, traces, frame, 72 x 50 inches, 183 x 127 cm

Anne Vieux, “//Primary Curve (Double Vision Series)”, 2017, acrylic on sublimation dyed faux suede, traces, frame, 72 x 50 inches, 183 x 127 cm

Maja Djordjevic, “Untitled”, 2017, oil and enamel on canvas, 55 x 141 inches, 140 x 358 cm  

Maja Djordjevic, “Untitled”, 2017, oil and enamel on canvas, 55 x 141 inches, 140 x 358 cm